This 1980 column finds Bayard Rustin critiquing the television drama Skag for presenting a distorted picture of working-class America that largely erased Black steelworkers from view. He argues that racism had shifted from overt caricature to more subtle forms of exclusion and misrepresentation. Rustin also condemns the show’s condescending portrayal of laborers, calling on the media industry to more honestly and respectfully depict working-class life.