In this piece, Bayard Rustin argues that by the early 1970s the civil rights movement had entered a new phase, shifting from protest to “political self-expression” through voting, organizing, and coalition-building. He urges a move toward professional, interracial politics focused on winning power in Congress and securing broad economic reforms rather than retreating into race-based isolation.
Rustin at the A. Philip Randolph Institute, 1972
Bayard Rustin is pictured at the A. Philip Randolph Institute in 1972, sitting beside African sculptures and artwork that reflect his international perspective and appreciation for cultural heritage. The environment demonstrates Rustin’s deep engagement with both labor organizing and the broader social movements of the era, as well as personal interests in global art and history.
